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Otvaranje projekta „Spajalica“  koji jednom godišnje spaja dva umetnika iz zemalja bivše Jugoslavije kako bi im se omogućio dijalog, saradnja, razmena ideja.

Izložba se otvara u Podrumu u Magacinu u Kraljevića Marka 4 u petak, 21.6. od 20 časova

Umetnici su odabrani na temelju zajedničkih konceptualnih, stilskih i tematskih interesovanja i ove smo godine spojili srpsku umetnicu Gordanu Žikić s hrvatskom umetnicom Majom Zard. Obe umetnice bave se temom šamanizma, preispituju ulogu intuicije, rituala, odnosa prema prirodi, te transformativni efekat kreativnog izražavanja.

Spajanje smo započele kustosiranom e-razmenom tokom koje smo se, kroz pet nedelja i pet šamanskih tema, virtuelno upoznavale.

U Beogradu smo se trebale sresti prvi put licem u lice no kapitalizam nam je poremetio planove. U znak otpora i kao svojevrsni oblik katarze, izmenile smo prvobitni plan i hrabro krenule u eksperiment koji je i svojevrsna eskavacija temelja na kojima umetnost leži i kroz koje se nastoji probiti.

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SPAJALICA 2019

Umetnice:
Maja Zard
Gordana Zikic

Poveznica:
Shamanism

Kustoskinja:
Ira Ferris

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WE INVITE YOU TO THE OPENING AND A LAUNCH OF PROJECT ‘SPAJALICA’ WHICH ONCE A YEAR connects two artists from ex-Yugoslavian countries, creating an opportunity for them to meet, exchange ideas, and collaborate.

The artists are selected based on their mutual interests – be it a similar theme they are preoccupied with, a similar style of expression, or the medium they use. This year we have paired Serbian artist Gordana Žikić with Croatian artist Maja Zard. Both artists are exploring and expressing shamanism in their practice, and contemplate the role of intuition, rituals, relationship to nature, and the transformative power of creative expression.

The pairing started through curated e-exchange during which we have, over five weeks and five shamanic themes, got to know each other virtually (and philosophically).

In Belgrade, we were supposed to meet face-to-face for the first time but capitalism disrupted our plans. As a way of resistance and a sort of catharsis, we changed our initial plan and courageously embarked on an experiment which is also an excavation of the foundations on which art builds and from which it tries to escape.

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www.artemisprojects.com.au